When a Book’s Spine Gets into an Accident

by Kaitlyn Harrison

Virginia Commonwealth University

Kaitlyn Harrison is currently a senior majoring in mass communications with a concentration in creative advertising and a minor in creative writing. She is also the current Editor-in-Chief at plain china: The Best Undergraduate Writing. This is her first publication. If you’d like to see more of what she’s up to, follow her writing account @i_like_yourbookmark on Instagram.


When a Book’s Spine Gets into an Accident

I laugh at you 
grasping at the book 
in the console. 
Stare 
as the chemicals burn 
into parts of your arm
and ignore the way 
I can no longer feel 
the back of my seat 
against my skin.  

In the same minute, 
your face cracks
against the belly 
of the windshield 
exposing 
overlapping veins 
that held together 
the tissue of your cheeks
knowing 
slender threads 
of your clotting blood 
aren’t enough 
to bind you back to your bones. 

The sweet tea 
unglues the pages 
from their thick covering. 
Its stories soggy paper now,
inky lungs 
drowning 
in sugar and smoke
poured out 
by a Styrofoam cup and airbag.
The binding frays
while strings 
lose their bearing.  

There is ugliness 
to a book 
when it remembers 
the worst of our moments 
while still holding on 
to its own.  


Interview With The Author

1. What was your inspiration for this piece?

The inspiration for my poem “When a Book’s Spine Gets into an Accident” came from my own experience of getting into a car accident with one of my best friends. Every time I say this it sounds so cliché, but the movies got it right when they show a crash. Your mind moves slowly while everything outside of yourself moves too fast. You know what’s happening, but you can’t do anything to lessen the impact in that moment. Our car accident wasn’t as severe as what’s shown in the poem, but I borrowed images such as my friend’s chemical burns, the injury to my spine, the cracked windshield, and the sweet tea to give it a solid foundation. Part of the poem is me reliving the events while also recognizing it wasn’t as bad as it could have been. Up to that point, I had never known how quickly a beautiful life story could become so damaged and ugly.

2. What is your creative process?

I always start my creative process with just a single thought. Something will pop into my mind and I’ll think “Oh, that’s an interesting idea. What if it could be reworked into a story?” Before diving into the writing, I have to find music that will help set the mood or tone of the piece I’m about to work on. From there, it’s just learning how to tinker and critique my own work. Sometimes, that means throwing out the entire piece and starting over. Other times, it means rearranging what I already have.

3. What are some influences on your artistic process?

Music has always influenced my artistic process the most. Without fail, I have my Nora Jones Pandora playlist in the background whenever I’m writing.

4. Is there anything more you’d like our readers/viewers to know about you or your work?

I’d just like my readers to know that all of my work comes from the little things that have happened in my life. Sometimes, I write pieces based off big events, but more times, it’s a tiny memory that sparks something. For anyone who says they don’t have anything to write about, I say that you simply haven’t looked deep enough yet.


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Bitters soaked in childhood